film review
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‘Bank Chor’ film review: It isn’t the robbers who are incompetent here
Nandini Ramnath
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‘Despicable Me 3’ film review: The laughs keep coming but the movie lacks an emotional core
Aakash Karkare
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‘Phullu’ film review: Good intentions regarding unmentionables, but creaky execution
Nandini Ramnath
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‘Raabta’ film review: The Sushant-Kriti love story barely works in this life or the previous one
Nandini Ramnath
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‘Behen Hogi Teri’ film review: A mostly winning comedy of manners and errors
Nandini Ramnath
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‘The Mummy’ film review: Tom Cruise is on the run again but he’s outpaced by the monster
Nandini Ramnath
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‘Wonder Woman’ film review: A visual spectacle with brains and heart
Nandini Ramnath
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A Death in the Gunj review: The characters and plotting are weak but the mood and melancholy linger
Udita Jhunjhunwala
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‘Pirates of the Caribbean: Salazar’s Revenge’ film review: Where is Jack Sparrow when you need him?
Nandini Ramnath
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‘The Lost City of Z’ review: A visually stunning adventure into the unknown
Aakash Karkare
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‘Half Girlfriend’ film review: The Chetan Bhagat adaptation is a 50-50 affair
Nandini Ramnath
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‘The Sense of an Ending’ film review: Sentimentality mars an otherwise well-intentioned drama
Aakash Karkare
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‘Meri Pyaari Bindu’ film review: This rambling ode to childhood love is nearly always out of sync
Nandini Ramnath
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‘Sarkar 3’ film review: Amitabh Bachchan is the grace note in this tired soap opera
Nandini Ramnath
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‘King Arthur: Legend of the Sword’ review: A blunt version of the classic tale
Aakash Karkare
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‘Baahubali 2’ film review: Ships fly, trees swing and SS Rajamouli’s imagination soars
Udita Jhunjhunwala
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‘Noor’ film review: An upscale ‘Page 3’ with the same cockeyed view of journalism
Nandini Ramnath
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‘Maatr’ film review: Meet the mother of all vigilantes
Nandini Ramnath
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‘Sonata’ film review: Aparna Sen’s tribute to female bonding is flat despite strong performances
Nandini Ramnath
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‘The Zookeeper’s Wife’ film review: An overly earnest story of resistance to the Nazis
Udita Jhunjhunwala